lost one

 1.How do know that you are loved?.I shall haunt, O my lost one, as the twilight

Haunts a grieving bamboo trail,
And your dreams will linger strangely with the music
Of a phantom lover’s tale.thats that i love.

2.can loved be measured?.if yes,how?if so why?.can loved be measured when you give for your best love and to love so much. by knowing each other and specially putting trials of relation.

3.why should we walk accourding to P.S castrence?.we should walk acourding,of a loved one is so hard to face,

you just want to hide, 
go somewhere and escape! 
But death is something
we all must go through.
I know it's hard
when it's someone you loved and knew 

molave

Out of the depthless matrix of your faith in us, and on the silent cliffs of freedom, we carve for all time your marmoreal dream! Until our people, seeing, are become like the Molave, firm, resilient, staunch, rising on the hillside, unafraid, Strong in its own fiber, yes, likThe main interpretation of the Filipino poem Like The Molave is one regarding how the people of the Philippines must work to make the nation stronger. The poem states that a region of the Philippines - Rizal - cannot yet rest, as there is still much work to be done to make the area successful. At the beginning of the poem, the poet outlines how the Philippines is dependent on other nations, and must work towards becoming independent in the future in order to support its citizens. Like The Molave also highlights the importance of the younger generation, and how they must fight for their
 e the Molave! 

love philippines

                                       
                                                        Why i Love Philippines
                   Best of all i love phillipines because im filipino im the                      one to
                   the voters of the philippines.and i love philippines                             because
                   its more fun of the philippines, philippines is the gentle                     pepoel
                   honest,faithfil and specially one no.1 of the tourist                             spot.And
                   here in our country you see a wondereful places and                            any kind
                   of falls and everything that you want.

big dreams

                                                             My Future
      Im Diosdado O Libores. Studed at Negros Oriental State University.
      I Study nw in Bachelore of Hospitality Management. My big dream
      is to finish my study because i have so many dreams in my life.
      My one of my dreams is i want to build a restaurant hotel in
      Dumaguete,and specially other restaurant that gives me happy and
      more income so that i can help my family and other.
      Specially want big dreams is to build a house of GOD, a big church
      so that for those people who wants to worship GOD there is building
      that i build.

The Story of my Life. Helloww!.. Im Diosdaddo O Libores,Living at Dumaguete City.
Work at Jollibee Robinsons Place Dumaguete. IM a simple boy,humble,faithful,caring,
loving and best of all respectful also. I know how to play drums. Im the one belong in the
worship team in my Church. My weakness is to become a jealous guy.And most
of all i can work hardly, i want to eat delicious foods and others.I LOve my life
because when i have a problem i directly call to GOD.thank you LORD for
everything. thats all the story of my life.

best president

My Expectation of the next president is to do something more than Noynoy's doing.

I expect that no any drags that easyle can pass in our Country.And I expect also

that Duterte is have the right to fight if there is any country traying to down our country,

i expect that duterte has the strong to protect people....

I expect duterte that theres no any morder also happend in our country. and specially

and hope so that,duterte is not to try corruption .

duterte do something,try your best for everything and GODBLESS.

delicacies

I like this filipino delicacies because of filipino taste and amoy delicious.
and the one of filipino best foods.

paboretong tula

KALUPI NG PUSO

Talaan ng aking mga dinaramdam,
Kasangguning lihim ng nais tandaan,
bawat dahon niya ay kinalalagyan
ng isang gunitang pagkamahal-mahal

Kaluping maliit sa tapat ng puso
ang bawat talata’y puno ng pagsuyo,
ang takip ay bughaw, dito nakatago
ang lihim ng aking ligaya’t siphayo.

Nang buwan ng Mayo kami nagkilala
at tila Mayo rin nang magkalayo na;
sa kaluping ito nababasa-basa
ang lahat ng aking mga alaala.

Nakatala rito ang buwan at araw
ng aking ligaya at kapighatian…
isang dapithapo’y nagugunam-gunam
sa mga mata ko ang luha’y umapaw…
Anupa’t kung ako’y tila nalulungkot
binabasa-basa ang nagdaang lugod;
ang alaala ko’y dito nagagamot,
sa munting kaluping puno ng himutok.

Matandang kalupi ng aking sinapit
dala mo nang lahat ang tuwa ko’t hapis;
kung binubuksan ka’y parang lumalapit
ang lahat ng aking nabigong pag-ibig.

Sa dilaw mong dahong ngayon ay kupas na
ang lumang pagsuyo’y naaalaala,

MANGGAGAWA

Bawat palo ng martilyo sa bakal mong pinapanday
alipatong nagtilamsik, alitaptap sa kadimlan; 
mga apoy ng pawis mong sa Bakal ay kumikinang
tandang ikaw ang may gawa nitong buong Santinakpan.Nang tipakin mo ang bato ay natayo ang katedral
nang pukpukin mo ang tanso ay umugong ang batingaw,
nang lutuin mo ang pilak ang salapi a lumitaw,
si Puhunan ay gawa mo, kaya ngayon’y nagyayabang.

Kung may ilaw na kumisap ay ilaw ng iyong tadyang,
kung may gusaling naangat, tandang ikaw ang pumasan
mula sa duyan ng bata ay kamau mo ang gumalaw
hanggang hukay ay gawa mo ang krus na nakalagay.

Kaya ikaw ay marapat dakilain at itanghal
pagkat ikaw ang yumari nitong buong Kabihasnan…..
Bawat patak ng pawis mo’y yumayari ka ng dangal,
dinadala mo ang lahi sa luklukan ng tagumpay.

PUSO, ANO KA?

Ang puso ng tao ay isang batingaw,
sa palo ng hirap, umaalingawngaw
hihip lang ng hapis pinakadaramdam,
ngumt pag lagi nang nasanay, kung minsan,
nakapagsasaya kahit isang bangkay.

Ang puso ng tao’y parang isang relos,
atrasadong oras itong tinutumbok,
oratoryo’y hirap, minutero’y lungkot,
at luha ang tiktak na sasagot-sagot,
ngunit kung ang puso’y sanay sa himutok
kahit libinga’y may oras ng lugod.

Ang puso ay ost’ya ng tao sa dibdib
sa labi ng sala’y may alak ng tamis,
kapag sanay ka nang lagi sa hinagpis
nalalagok mo rin kahit anung pait,
at parang martilyo iyang bawat pintig
sa tapat ng ating dibdib na may sakit.

Kung ano ang puso? Ba, sanlibrang laman
na dahil sa ugat ay gagalaw-galaw,
dahil sa pag-ibig ay parang batingaw,
dahil sa panata ay parang orasan,
at mukhang ost’ya rin ng kalulwang banal
sa loob ng dibdib ay doon nalagay.

ISANG PUNUNGKAHOY

Kung tatanawin mo sa malayong pook,
ako’y tila isang nakadipang kurus;
sa napakatagal na pagkakaluhod,
parang ang paa ng Diyos.Organo sa loob ng isang simbahan
ay nananalangin sa kapighatian,
habang ang kandila ng sariling buhay
magdamag na tanod sa aking libingan.

Sa aking paanan ay may isang batis,
maghapo’t magdamag na nagtutumangis;
sa mga sanga ko ay nangakasabit
ang pugad ng mga ibon ng pag-ibig.

Sa kinislap-kislap ng batis na iyan,
asa mo ri’y agos ng luhang nunukal;
at saka ang buwang tila nagdarasal,
ako’y binabati ng ngiting malamlam.

Ang mga kampana sa tuwing orasyon,
nagpapahiwatig sa akin ng taghoy,
ibon sa sanga ko’y may tabing nang dahon,
batis sa paa ko’y may luha nang daloy.

Ngunit tingnan ninyo ang aking narating,
natuyo, namatay sa sariling aliw.
Naging kurus ako ng pagsuyong laing
at bantay sa hukay sa gitna ng dilim.

Wala na, ang gabi ay lambong na luksa,
panakip sa aking namumutlang mukha!
Kahoy na nabuwal sa pagkakahiga
ni ibon, ni tao’y hindi na matuwa.

At iyong isiping nang nagdaang araw,
isang kahoy akong malago’t malabay.
Ngayon, ang sanga ko’y kurus sa libingan,
dahon ko’y ginawang korona sa hukay!

SA PAMILIHAN NG PUSO

Huwag kang iibig nang dahil sa pilak
pilak ay may pakpak
dagling lumilipad
pag iniwan ka na, ikaw’y maghihirap.

Huwag kang iibig nang dahil sa ganda
ganda’y nagbabawa
kapag tumanda na
ang lahat sa mundo’y sadyang nag-iiba.

Huwag kang iibig sa dangal ng irog
kung ano ang tayog
siya ring kalabog
walang taong hindi sa hukay nahulog.

Huwag kang iibig dahilan sa nasang
maging masagana
sa aliw at tuwa
pagkat ang pag-ibig ay di nadadaya…

Kung ikaw’y iibig ay yaong gusto mo
at mahal sa iyo
kahit siya’y ano,
pusong-puso lainang ang gawin mong dulo.

Kung ikàw’y masawi’y sawi kang talaga
ikaw na suminta
ang siyang magbata;
kung maging mapalad, higit ka sa iba.

Sa itong pag-ibig ay lako ng puso
di upang magtubo
kaya sumusuyo
pag-ibig ay hukay ng pagkasiphayo.

best filipino heros

These are the Filipino heroes.
the person that they fight,that we back Espanyol time.
they try there best to protect our country.

this song is Sponge cola album. i like this song because of meaningful song that i want sins

high school until now. tittled JEEPNEY. and sponge cola is also one of my favorite OPM song

that i like ever.. and sponge cola is the one relax band. :)

The 3 category

A myth is a traditional or legendary story, collection, or study. It is derived from the Greek word mythos (μῦθος), which simply means "story". Mythology can refer either to the study of myths, or to a body or collection of myths.^[3] A myth also can be a story to explain why something exists.

Academic usage[edit]

Generally associated with the academic fields of mythology, ^] or folkloristics, a myth can be a story involving symbols that are capable of multiple meanings. The body of a myth in any given culture usually includes a cosmogonical orcreation myth, concerning the origins of the world, or how the world came to exist. The active beings in myths are generally gods and goddesses, heroes and heroines, or animals and plants. Most myths are set in a timeless past before recorded time or beginning of the critical history.

A myth is a sacred narrative because it holds religious or spiritual significance for those who tell it. Myths also contribute to and express the systems of thought and values of a culture. Use of the term by scholars implies neither the truth nor the falseness of the narrative. To the source culture, however, a myth by definition is "true", in that it embodies beliefs, concepts, and ways of questioning to make sense of the world.

Popular usage[edit]

In popular use, a myth can also be a collectively held belief that has no basis in fact. This usage, which is often pejorative,^[5] arose from labeling the religious myths and beliefs of other cultures as being incorrect, but it has spread to cover non-religious beliefs as well.^[6] Because of this popular and subjective word usage, many people take offense when the narratives they believe to be true are called myths. This usage is frequently associated with legend, fiction, fairy tale, folklore, fable, confusing data, personal desire and urban legend, each of which has a distinct meaning in academia. A myth can also be told as a fairy tale or told around campfires during camping.

References[edit]

Wikimedia Commons has media related to Myth.

1. Jump up^. The Walters Art Museum.
2. Jump up^ For more information on this panel, please see Zeri catalogue number 64, pp. 100-101
3. Jump up^ Kirk, p. 8; "myth", Encyclopedia Britannica
4. Jump up^ Dictionary.com. Dictionary.com http://dictionary.reference.com/browse/mythography?s=t. Retrieved 19 January 2016. Missing or empty |title= (help)
5. Jump up^ Howells, Richard (1999). 
6.  Macmillan.
7. Jump up^ Eliade, Myths, Dreams and Mysteries, 1967, pp. 23, 162.

Myths & Legends

All over the world there are extraordinary stories—stories that once upon a time were believed to be true but are today limited to the sphere of myths and legends. The question remains, are those myths something that existed in the minds of our ancestors, or were they based on true events? It is true that most of those stories appear to the scientific world as fictitious products of vivid imaginations whose goals were purely to explain phenomena beyond their comprehension. Yet is it not arrogant to accuse our ancestors of being uncivilised and ignorant in one breath, then offer them praise and admiration over their monuments, buildings, art, sculptures, and societies in the next? This only proves that our modern society has two contradictory attitudes toward our past.

In this section we will explore some of the most amazing legends from all over the world—legends that may hold truths that can unlock the secrets of our ancient origins.

LEGENTS

A legend (Latin, legenda, "things to be read") is a narrative of human actions that are perceived both by teller and listeners to take place within human history and to possess certain qualities that give the tale verisimilitude. Legend, for its active and passive participants, includes no happenings that are outside the realm of "possibility" but which may include miracles. Legends may be transformed over time, in order to keep it fresh and vital, and realistic. Many legends operate within the realm of uncertainty, never being entirely believed by the participants, but also never being resolutely doubted.^[1]

The Brothers Grimm defined legend as folktale historically grounded.^[2] A modern folklorist's professional definition of legend was proposed by Timothy R. Tangherlini in 1990:^[3]

Legend, typically, is a short (mono-) episodic, traditional, highly ecotypified^[4] historicized narrative performed in a conversational mode, reflecting on a psychological level a symbolic representation of folk belief and collective experiences and serving as a reaffirmation of commonly held values of the group to whose tradition it belongs."

Legend is a loanword from Old French that entered English usage circa 1340. The Old French noun legende derives from the Medieval Latin legenda.^[5] In its early English-language usage, the word indicated a narrative of an event.

By 1613, English-speaking Protestants began to use the word when they wished to imply that an event (especially the story of any saintnot acknowledged in John Foxe's Actes and Monuments) was fictitious.^[6] Thus, legend gained its modern connotations of "undocumented" and "spurious", which distinguish it from the meaning of chronicle.

In 1866, Jacob Grimm described the fairy tale as "poetic, legend historic."^[7] Early scholars such as Karl Wehrhan (de)^[8] Friedrich Ranke}^[9]and Will Erich Peuckert^[10] followed Grimm's example in focussing solely on the literary narrative, an approach that was enriched particularly after the 1960s,^[11] by addressing questions of performance and the anthropological and psychological insights provided in considering legends' social context. Questions of categorising legends, in hopes of compiling a content-based series of categories on the line of the Aarne-Thompson folktale index, provoked a search for a broader new synthesis.

In an early attempt at defining some basic questions operative in examining folk tales, Friedrich Ranke (de) in 1925^[12] characterised the folk legend as "a popular narrative with an objectively untrue imaginary content" a dismissive position that was subsequently largely abandoned.^[13]

Compared to the highly structured folktale, legend is comparatively amorphous, Helmut de Boor noted in 1928.^[14] The narrative content of legend is in realistic mode, rather than the wry irony of folktale;^[15] Wilhelm Heiske^[16] remarked on the similarity of motifs in legend and folktale and concluded that, in spite of its realistic mode, legend is not more historical than folktale.

In Einleitung in der Geschichtswissenschaft (1928), Ernst Bernheim asserted that a legend is simply a longstanding rumour.^[17] Gordon Allport credited the staying-power of some rumours to the persistent cultural state-of-mind that they embody and capsulise;^[18] thus "Urban legends" are a feature of rumour.^[19] When Willian Jansen suggested that legends that disappear quickly were "short-term legends" and the persistent ones be termed "long-term legends", the distinction between legend and rumour was effectively obliterated, Tangherlini concluded.

Folktales

Many attempts have been made to define, classify, and describe the folktale. None of these attempts did a completely satisfactory job; the folktale is just too inclusive for such division. The term covers almost any traditional narrative, either oral or literary. Its diverse forms include legends and traditions, fairy tales, animal tales, fables, and of course myths.
Read on »

Articles:

(Native) America

• Choctaw Creation myth, a Choctaw myth.
  How the Choctaw found a new home land.
• Iktomi, a Lakota myth.
  How the spiderman helped them to take the horses from their enemies.
• Kana'ti and Selu, a traditional Cherokee oral telling.
  Description follows.
• The Legend of the Buffalo Dance, a Blackfoot legend.
  How the people learned a special ritual from the buffalo.
• How the man got in the moon, an Oto myth.
  How the image of a man we see in the moon got there.
• The Coming of Medicine, a Native American myth.
  How medicine was introduced to humans.
• Ullikana, a Hawaiian tale (illustrated).
  How the horses of Hawaii got their own guardian spirits.
• White Buffalo Calf Woman, a Lakota myth.
  How a mysterieus woman taught the people the way of life.

Central America

• Hunahpu and Ixbalanque, a Mayan legend.
  How the sun and the moon came into existance.

Europe

• The Dun Horse, a Russian folktale (illustrated).
  How a farm boy became a great prince.
• The Fisherman's Widow, a Greek folktale (illustrated).
  How an old widow chose death, but found happiness in stead.
• Hansel and Gretel, a popular fairy tale.
  How two children outsmarted a witch and brought wealth to their family.
• Jack o'Lantern, a popular folktale
  How a farmer attempted to outsmart the devil.
• Rapunzel, a popular fairy tale.
  How a girl, brought up by an enchantress, escaped her misery.
• Queen Pedauqe, an Occitanian tale.
  How a queen disproved a strange rumour about her feet.
• River of the Princess, a Slavic tale.
  How a princess brought fertility back to the land.
• The Story of Pressyne, from Medieval France.
  The story of a beautiful fairy who married the King of Albany.
• The Story of Melusine, from Medieval France.
  The story of the first daughter of the fairy Pressyne and King Elynas of Albany
• The Story of Palatyne, from Medieval France.
  The story of the second daughter of the fairy Pressyne and King Elynas of Albany
• The Tale of Taliesin, a Celtic story.
  The life of the great bard Taliesin.
• The Devil's Dyke, a Sussex folktale.
  How the devil was fooled by an old woman.

Asia Minor / Middle East

• The Five Mares of Mohammed, an Arabic tale.
  How Mohammed discovered the finest of Arab horses.
• The River Sambation, a Jewish myth.
  How a group of Israelites found refuge in a place protected by a wondrous river.

Asia

• Moonflower, a Japanese story (illustrated).
  How a gift from the moon finally brought happiness to a childless couple.
• Rahu and Ketu, a Hindu myth.
  How the gods triumphed over the demons.

Retellings/adaptations

• Beowulf, an Anglo-Saxon tale.
  How the great hero Beowulf vanguished the dragon Grendel. Retold by Robert Hoffman.
• Beauty and the Beast, a popular fairy tale.
  Retold by Robert Hoffman.
• Hansel and Gretel, a popular fairy tale.
  Retold by Robert Hoffman.
• Little Mermaid, a popular fairy tale
  How a little mermaid became a human being. Retold by Robert Hoffman.
• Pandora's Box, an adaption of the Greek myth.
  How the opening of a simple box led to all the unhappiness and sorrow in the world. Retold by Robert Hoffman.
• Rapunzel, a popular fairy tale.
  Retold by Robert Hoffman.
• Saving Spring, a Scandinavian legend.
  How Spring was jailed by Old Man Winter and rescued in an ingenious way.
  Retold by Ilil Arbel.

tradition of people

Tradition

From Wikipedia, the free encyclopedia

Olin Levi Warner, Tradition (1895). Bronzetympanum over the main entrance, Library of Congress, Thomas Jefferson Building, Washington, D.C.

A tradition is a belief or behavior passed down within a group or society with symbolic meaning or special significance with origins in the past.^[1][2] Common examples include holidays or impractical but socially meaningful clothes (like lawyer wigs or military officer spurs), but the idea has also been applied to social norms such as greetings. Traditions can persist and evolve for thousands of years—the word "tradition" itself derives from the Latin tradere or traderer literally meaning to transmit, to hand over, to give for safekeeping. While it is commonly assumed that traditions have ancient history, many traditions have been invented on purpose, whether that be political or cultural, over short periods of time. Certain scholarly fields, such asanthropology and biology, have adapted the term "tradition," defining it more precisely than its conventional use in order to facilitate scholarly discourse.

The concept of tradition, as the notion of holding on to a previous time, is also found in political and philosophical discourse. For example, it's the basis of the political concept of traditionalism, and also strands of many world religions includingtraditional Catholicism. In artistic contexts, tradition is used to decide the correct display of an art form. For example, in the performance of traditional genres (such as traditional dance), adherence to guidelines dictating how an art form should be composed are given greater importance than the performer's own preferences. A number of factors can exacerbate the loss of tradition, including industrialization, globalization, and the assimilation or marginalization of specific cultural groups. In response to this, tradition-preservation attempts have now been started in many countries around the world, focusing on aspects such as traditional languages. Tradition is usually contrasted with the goal of modernity and should be differentiated from customs, conventions, laws, norms, routines, rules and similar concepts.

tra·di·tion

  (trə-dĭsh′ən)

n.

1. The passing down of elements of a culture from generation to generation, especially by oral communication:cultural practices that are preserved by tradition.

2.

a. A mode of thought or behavior followed by a people continuously from generation to generation; a custom orusage: the traditions of Tibetan Buddhism.

b. A set of such customs and usages viewed as a coherent body of precedents influencing the present:followed family tradition in dress and manners. See Synonyms at heritage.

3. A precept or a body of precepts that are not written in the sacred book of a religion, such as the Bible, but areconsidered holy or true.

4. A style or method of an activity or practice, especially of artistic expression, that is recognized and sometimesimitated: satire in the tradition of Jonathan Swift.

5. A piece of folklore: "a popular medieval tradition that identified the queen of Sheba with the Blessed Virgin Mary"(Nicholas Clapp).

---

[Middle English tradicioun, from Old French, from Latin trāditiō, trāditiōn-, from trāditus, past participle oftrādere, to hand over, deliver, entrust : trā-, trāns-, trans- + dare, to give; see dō- in Indo-European roots.]

American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2011 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

tradition

 (trəˈdɪʃən)

n

1. the handing down from generation to generation of the same customs, beliefs, etc, esp by word of mouth

2. the body of customs, thought, practices, etc, belonging to a particular country, people, family, or institution over arelatively long period

3. a specific custom or practice of long standing

4. (Ecclesiastical Terms) Christianity a doctrine or body of doctrines regarded as having been established by Christ orthe apostles though not contained in Scripture

5. (Judaism) (often capital) Judaism a body of laws regarded as having been handed down from Moses orally andonly committed to writing in the 2nd century ad

6. (Islam) the beliefs and customs of Islam supplementing the Koran, esp as embodied in the Sunna

7. (Law) law chiefly Roman law Scots law the act of formally transferring ownership of movable property; delivery